Treabar

Tag: ARPG

  • Starting from the popcorn pot of Ju Fufu, a brief analysis of the philosophical significance of modern game character design

    Speaking of Ju Fufu, the S-level agent from the 2.0 version of “Zero”, we must first admit that she is indeed an interesting existence. Holding a popcorn pot, the fire attribute burst, the rotation dodge, and the series of dazzling skills, it really makes people wonder what the designer wants to express behind this? I think that Ju Fufu’s design is not only for the refreshing battle, but also a metaphor for the philosophical propositions of “individual and group” and “freedom and rules” in modern society.

    1. Popcorn pot: weaponization and absurdity of daily life
    The popcorn pot was originally an ordinary utensil in the kitchen. How did it become Ju Fufu’s weapon? This itself carries a sense of absurdity. Ordinary things in life become weapons to kill enemies, which is very similar to the confusion and struggle of modern people facing the world. The trivialities of daily life are magnified and become “weapons” on the battlefield of life. Isn’t this just like each of us in a complex society, using seemingly ordinary “skills” to fight against unknown challenges?

    The designer used a popcorn pot to create such a set of contrasts: ordinary and powerful, absurd and real. Ju Fufu hits the enemy with a pot, which is not only humorous, but also reflects the creativity and survival wisdom of modern people in helplessness.

    2. The symbolic meaning of fire attribute: the binary opposition of passion and destruction
    Fire, this element has always been a symbol of contradiction in literature and philosophy. It can both warm and destroy. Ju Fufu’s fire attribute skills are the best expression of this duality. Her flame is both a tool for fighting and an externalization of emotions.

    The duality of fire symbolizes the mental state of modern people: passion burns, and the heart desires freedom and expression; at the same time, this power may also bring harm and even self-destruction. Ju Fufu’s flame reminds people of the complex emotions in society that struggle between expression and repression.

    3. Spin dodge and high-speed rotation: the collision of free will and mechanical laws
    Ju Fufu’s dodge skill is not only a simple action, it also includes the design of tap-to-start and long-press to enter high-speed rotation. This seemingly free-switching skill actually implies the struggle of individuals in a mechanized society.

    Spinning symbolizes the melody of freedom, while dodging is the act of dodging. In game design, spinning and dodging brings a flexible combat experience, but at the philosophical level, it also reflects the helplessness of modern people trying to avoid various rules and restrictions through free will in a high-speed social machine.

    She looks for space in spinning and struggles in spinning, which is very similar to the contradictory mentality of each of us when facing systems and rules in life: wanting to break through, but being bound.

    4. Heat system: a reflection of emotional management and capital logic
    The “heat” system in the game is the core value of Ju Fufu’s skills. When accumulated to a certain level, powerful skills will burst out. On the surface, this is a numerical mechanism designed purely for games, but when you think about it carefully, it is very similar to the accumulation and outbreak of emotions in modern society.

    “Heat” symbolizes people’s inner energy. In real life, we are also accumulating various emotional pressures – work pressure, interpersonal relationships, and trivial matters in life. When these pressures accumulate to a certain point, they will appear in the form of an explosion, sometimes as a creative passion, sometimes as an explosion of anxiety.

    In addition, “heat” also metaphorically represents the concept of “resource accumulation” in the logic of capital: only when a certain amount of capital is accumulated can greater action be launched. The skill design of Ju Fufu cleverly combines the dual meanings of emotional management and economic operation.

    V. Team linkage skills: game and collaboration between individuals
    Ju Fufu is not only a solo dancer, she also needs to work together with her teammates. Her “linking skills” and “support skills” design show the subtle relationship between individuals and groups.

    Modern society emphasizes teamwork, but there are often hidden interests in cooperation. Ju Fufu’s linking skills can not only enhance the damage of teammates, but also trigger additional pursuit support, which reflects how individuals enhance overall effectiveness through collaboration. But at the same time, the conditions and restrictions for launching skills also imply the rules and constraints in teamwork.

    This design reflects the complex interpersonal network in modern society: cooperation is needed, but conflicts and constraints are inevitable.

    6. Skill level improvement and additional abilities: the dialectic of growth and ideals
    As Ju Fufu’s skill level increases, he can unlock more abilities, such as additional damage from wound effects and guaranteed critical hits from combo skills. This growth mechanism simulates the growth process of individuals in real life very well.

    Growth is not only the accumulation of abilities, but also the reconciliation of the contradiction between ideals and reality. The progressive level of Ju Fufu’s skills reflects that while people pursue their ideals, they must accept the limitations and compromises of reality. Her growth path is like a curve that constantly breaks through herself but struggles within the rules.

    7. The cultural meaning behind the design: the combination of modern aesthetics and narrative
    Ju Fufu’s design combines hot visual effects with complex numerical mechanisms, reflecting the aesthetic trend of modern game design – pursuing both stimulating visual impact and focusing on the depth of the system. Behind this design is the dual demand of contemporary culture for “fast pace” and “deep experience”.

    On a philosophical level, Ju Fufu is a symbol, a microcosm of the fast pace and deep-seated contradictions in modern life. The popcorn pot on her body, the rotating flames, and the accumulated heat all point to the philosophical proposition of how individuals in a complex society can find their own position.

    8. Conclusion: Ju Fufu is not only a game character, but also a mirror
    Ju Fufu, the girl holding a popcorn pot and covered in flames, may be the epitome of our era. She tells us that the seemingly absurd things in life actually carry profound philosophical meanings: individual freedom, emotional management, and the relationship between people and society.

    Her flames illuminate the absurdity of reality and ignite the hope in her heart. In this fast-moving and complex world, everyone is Ju Fufu, using their own “popcorn pot” to spin and dodge, looking for their own piece of fire.

  • Discussing the irony and metaphor of the mental state of modern people from the skill of Ju Fufu’s Popcorn Pot

    Mr. Qian Zhongshu is famous for his profound learning, witty writing and humorous irony. His works are exquisitely written, and often reveal the various aspects of life in details. Today, we will try to talk about Ju Fufu’s distinctive “Popcorn Pot” skill in Absolute Zone Zero, and use it to look at the mental state of modern people and appreciate the irony and metaphor contained in this game setting.

    Ju Fufu’s ordinary attack action is a three-stage combo, and the action is coherent and fast, just like the busy life of people in the secular world day after day. The three-stage continuous attack seems to coincide with the reality that life is difficult but has to move forward, as if it is the mechanical labor of people in the city-one hammer after another, hammering the predetermined fate. At this moment, the “popcorn pot” is no longer a cooking utensil, but a symbol of spirit, silently carrying the hard work and expectations of countless people.

    The design of the “imbalance” value attached to the attack cleverly implies the fragility and subtlety of social relations. The accumulation of imbalance is like the roller coaster of modern people’s emotions, which will cause waves at the slightest disturbance. Social pressure is like the imbalance value, gradually accumulating until it explodes. The complex interpersonal relationships and emotional entanglements described by Qian Zhongshu in “Fortress Besieged” are just like this: people wander in the “Fortress Besieged”, facing the danger of imbalance at all times, but they have no choice but to compromise and cater to it.

    Ju Fufu’s dodge design is short-press invincible sprint, long-press high-speed rotation, just like the two ways modern people deal with pressure. Short-press escapers are “head-down tribes” who temporarily retreat under the pressure of reality; long-press rotation is a symbol of inner anxiety and resistance, as if they are struggling to find self-salvation in the repetitive life day after day. This “duality” is a common trait of Qian Zhongshu’s characters: they want to survive steadily and desire self-breakthrough.

    The design of the “heat” mechanism is full of meaning. The rising heat seems to represent the increasingly anxious emotions in people’s hearts, like ants on a hot pot, the harder they resist, the harder it is to calm down. Ju Fufu’s continuous attack accumulates heat, representing the tense state of modern people in a highly stressful society. When emotions accumulate to the critical point, they are inevitably out of control. Qian Zhongshu once said in his prose, “Life is like food in a pot, and you know whether it is hot or cold.” This is exactly reflected here.

    The flame rotation of the popcorn pot in the enhanced special skill is nothing less than a spiritual eruption. Flame symbolizes passion, anger and resistance. Ju Fufu’s skill enhancement is like the vitality that occasionally bursts out of modern people, finding a sense of existence and freedom in mechanical repetition. Qian Zhongshu also described the spiritual world of people as “tangled”, and only when it is accidentally untangled can its mystery and beauty be seen.

    The joint skills and finishing skills highlight the necessity of teamwork and the isolation of individuals. Ordinary joint protection of teammates implies the invisible dependence and watchfulness between people in real life; the finishing skills are the ultimate expression of individual explosion, which not only highlights personal strength, but also reveals loneliness and helplessness. Qian Zhongshu is good at depicting the complex entanglements between people. This tension of “dependence and isolation” is just like the epitome of the society in his writing.

    The support skills of quick support and parry support are not dazzling, but extremely important. They are like those ignored silent contributors in life, supporting the entire system. Qian Zhongshu often has high hopes for these “little people” in his works, believing that they are the real backbone of society.

    The core skill “popcorn pot automatic attack” brings continuous flame attacks, which symbolizes persistent efforts in life. Ju Fufu does not need to do it himself all the time, but can still output steadily, just like those people who are inconspicuous but struggle for a long time in life. Qian Zhongshu’s humor is full of praise for “unknown heroes”, which is exactly his spiritual portrayal.

    In the imagery shadow skill, the flames are constantly dancing, which means both destruction and purification and rebirth. Ju Fufu dances in the flames, as if interpreting the impermanence and hope of life. In Qian Zhongshu’s writing, the world is like a play, life is like a dream, and only by finding a ray of light in the chaos can there be meaning in living.

    In summary, Ju Fufu’s skills are not just game settings, but also a mirror reflecting the mental state of modern people. It reveals the way modern people struggle with pressure and anxiety, and also shows the tenacity and humor in human nature. If Mr. Qian Zhongshu were alive, he might laugh at such a design, lamenting the fickleness of the world, while still not forgetting to ridicule the various aspects of the world.